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Envelope Poems

Envelope Poems

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The cover is beautiful, the pages feel luxurious, the photographs feel so special, and it's all put together with incredible care. Despite unfavorable reviews and skepticism of her literary prowess during the late 19th and early 20th century, critics now consider Dickinson to be a major American poet.

The Evergreens was a private residence until 1988; that year, the last inheritor of the property, Mary Hampson, passed away. After a gregarious girlhood, it was said, Dickinson had gradually become a near-total recluse, known around Amherst as “the myth. The book is an art object, with transcriptions of her handwriting facing facsimiles of the scraps of envelopes she wrote upon, some of which you can see through to the other side. Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886—when Lavinia, Emily's younger sister, discovered her cache of poems—that the breadth of Dickinson's work became apparent. Also interesting is the incredible glimpse into a master poet's creative process—alternative words, phrases crossed out, poems re-written on facing pages.Loved this publication, the juxtaposition of the original letters and how they looked was marvellous and interesting especially as a historian and (aspiring) palaeographer, though I imagine even non-historians find it fascinating. La busta postale è quella che contiene la lettera, è una sorta di scrigno, qualcosa che avviluppa, contiene, include qualche altra cosa. Most of the scraps remained in Amherst’s archive, curiosities sought out by tenacious Dickinson scholars but unknown to the public at large. The Gorgeous Nothings is a pivotal book: the first full-color publication of Emily Dickinson’s complete envelope writings in facsimile from her visually stunning manuscripts, here in a deluxe,.

The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Another gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. I see reviews that knocked a star off because some poems felt “unfinished” or “confusing” and whilst I agree I also felt as if that’s why I, personally, loved it. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. There are countless expressive features of a Dickinson manuscript, all but a few of them effaced when her poems enter a standard print edition.Intensely alive, these envelope poems are charged with a special poignancy―addressed to no one and everyone at once. An insightful new volume, The Gorgeous Nothings, edited by Jen Bervin and Marta Werner, also provides a fascinating glimpse of Dickinson by assembling images documenting the poetry she scrawled on repurposed envelopes — envelopes that have themselves been elevated to a new sort of art. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. When, in 1866, Dickinson’s “A narrow Fellow in the Grass” appeared in the Springfield Daily Republican (under a title likely chosen by its editors, “The Snake”), Dickinson complained to Higginson that, among other problems, she was “defeated . Only ten of her poems were published in her lifetime, all anonymously; publication was, as she put it, as “foreign to my thought, as Firmament to Fin.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
  • Sold by: Fruugo

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